Daisy Age
- 25 x 25 x 17 cm
- Object origineel
- Thermische vormen van bioplastic
His spectacular works have been seen in recent years at art fairs in New York, London, Miami and the Pan in Amsterdam and provide a breath of fresh air in the art world.
Gross tells stories about consumption and makes us think about the responsibility we share to the next generations. He does this with spectacular Flower Bonanzas made from bio-material that he developed himself.
Stefan Gross (1964), born in Bendorf, Germany, started his career as an apprentice in stained glass production factory. In 1988 he decided to continue his art studies at the Art Academy HBK Saar in Saarbrücken.
In 2006 he developed his own material that he now mainly uses: "oil plastic". It is the result of painting industrial plastic with classic oil paint. It is surface and paint in one and enables Stefan Gross to expand the painted surface three-dimensionally. "Oil plastic" is translucent and behaves like glass at a relatively low temperature. Much of the plastic Gross uses is recycled. In his work, Stefan Gross colorfully depicts the fall of a growth-based society. 'The world is a serious place these days. This is a problem that I deal with in my work. 'He shows the beauty and the potential of industrial production in a retrospect on d
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More of Stefan Gross
Stefan Gross
Stefan Gross (1964), born in Bendorf, Germany, started his career as an apprentice in stained glass production factory. In 1988 he decided to continue his art studies at the Art Academy HBK Saar in Saarbrücken.
In 2006 he developed his own material that he now mainly uses: "oil plastic". It is the result of painting industrial plastic with classic oil paint. It is surface and paint in one and enables Stefan Gross to expand the painted surface three-dimensionally. "Oil plastic" is translucent and behaves like glass at a relatively low temperature. Much of the plastic Gross uses is recycled. In his work, Stefan Gross colorfully depicts the fall of a growth-based society. 'The world is a serious place these days. This is a problem that I deal with in my work. 'He shows the beauty and the potential of industrial production in a retrospect on d
